Imagine a group of vampires who have chosen to live the "vegetarian" lifestyle, avoiding the inevitable awkwardness that arises from drinking human blood. No, it's not Twilight. Instead of being godlike, sparkly, glamorous, and sculpted, Australian author Catherine Jinks's vampires are weak, nervous, insular, and distressingly prone to vomiting guinea pig blood. Nina, a perpetual fifteen year-old who was "fanged" in 1973 and still lives with her mother, is a member of the Reformed Vampire Support Group, which meets weekly to retread the psychological issues of its members. Nina actually hates vampires: "Vampires are meant to be so glamorous and powerful, but I'm here to inform you that being a vampire is nothing like that. Not one bit. On the contrary, it's like being stuck indoors with the flu watching daytime television, forever and ever." More than vampires, Nina hates thinking like a vampire, and is desperately afraid that she will cease to care about the outside world entirely, given enough time and lack of motivation. What is important to her, and the rest of the Reformed Vampire Support Group, is their identity as humans who are struggling with an infection, rather than monsters with no self-control. The means by which Nina leaves her comfort zone--an obsessive vampire slayer, an abused werewolf, and two disturbingly violent men--are less important. I enjoyed the book immensely as a light-hearted Twilight antidote (Nina, herself the author of vampire-themed fiction, remarks wryly that she's no Stephenie Meyer), but I had several issues with the plotting/editing. As an author, Jinks has taken on a narrator who misses all the daylight hours of any given day, something which can make plotting for an action-packed novel rather difficult. I do understand that, however . . . I feel that there must be a better way to move the plot along than having Nina say "I'm going to cheat a bit now" and then recount things as if they were happening in real time. Perhaps if this were not a book for young adults, she would have been able to move the story along without holding our hands every step. Also: Doesn't Nina have to go to school? (This may be something that Twilight actually does better.) Also also: I know Nina is an author and all, but having her start the book in 3rd person, then switch to 1st person after 3 pages, is a distracting throwaway. Nevertheless, I loved the ensemble cast, which is filled with endearing characters, and I enjoyed Nina's growth over the course of the book. I look forward to developments in The Abused Werewolf Rescue Group.